Vivienne Haywood Eliot,
English writer, author of a series of short stories.
Her literary legacy was praised by Bertrand Russell, Gore Vidal, and her lyrics were praised by Virginia Woolf and Ezra pound. But in search of Vivienne’s creative legacy, you will again come across the figure of a man. She used to be called not a writer, but the “mad Muse” of the great poet Thomas Stearns Eliot. Continue reading
Why do we know so few women writers and why will this change in the twenty first century
Women’s text in literature for a very long time remained an unexplored black continent, a lost point of coordinates — “Big” (that is, masculine) prose ignored it. This is exactly what some literary critic (in this near future, a profeminist) will say in twenty or thirty years. This problem began to be discussed in the 60s. Continue reading
The usual Thriller genre is characterized by its uncertainty and constant intensity of passions, which together produce a mixed feeling of anxiety and fascination mixed with fear and even fear. This range of feelings and experiences is achieved by creating an unpredictable plot, in which the reader (or viewer) evaluates the consequences of a particular incident. Usually, in a Thriller, the sense of suspense increases as the story approaches a climax, followed by an unforgettable ending. Continue reading